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The art of rhetoric as self-discipline: inquiries into spirit, sight, sound

机译:作为自律的修辞艺术:对精神,视觉,声音的探究

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摘要

This dissertation describes and embodies an ethically grounded method for structuring a program of rhetorical study. As a discipline, rhetoric is perhaps uniquely comprehensive, as Cicero suggests when he writes, \u22No man can be an orator complete in all points of merit who has not attained a knowledge of all important subjects and arts\u22 (De Oratore , Bk. I, Ch. 6). Rather than attempting to delimit rhetoric, the dissertation offers a means of narrowing its scope for individual rhetoricians, namely by focusing on inner necessity and conscience in the approach to study. Rhetoric here is defined as a framework in which the author integrates the scholarly and artistic, public and private elements of her personality by inquiring into the influence of symbols on her life. By conceptualizing the art of rhetoric as a \u22self-discipline,\u22 the author affirms the significance of all these elements and suggests that their harmonious blending will enhance the pleasures and utilities of discourse. Embedded within the dissertation are three articles that represent the author\u27s attempt to construct rhetoric in this manner. \u22Reconsidering Agency in an Era of Georeligious Upheaval: Women from Four Faith Traditions Confess\u22 suggests how organized religions contribute to empowerment of the devout. \u22Argument and Authority in the Visual Representations of Science\u22 considers the importance of the ethical appeal to science, and the ways in which visual representations appeal to audience prejudices in favor of knowledge constructed by the eye. \u22Possibilities for a Rhetoric of Music: A Metadiscursive Approach to Film\u22 proposes thirteen categories of musical metadiscourse and hypothesizes that musical ways of knowing are as vital to the meaning of film art as visual and verbal ways are. Throughout the dissertation, personal and public, scholarly and artistic narratives intersect.*;*This dissertation is compound (contains both a paper copy and CD as part of the dissertation). The CD requires the following system application: Windows MediaPlayer or RealPlayer.
机译:本文描述并体现了构建修辞研究程序的一种以道德为基础的方法。作为一门学科,修辞学也许是独一无二的,正如西塞罗在写文章时所暗示的那样,\\没有人对所有重要学科和艺术都没有了解的人,就不可能在所有方面都是演说家的完美代表。 I,第6章)。与其试图划定修辞学,不如通过限制修辞学的范围,而是通过研究方法的内在必要性和良知性来缩小修辞学的范围。这里的修辞学被定义为一个框架,在该框架中,作者通过研究符号对她的生活的影响,整合了她个性的学术和艺术,公共和私人元素。通过将修辞艺术概念化为“自我约束”,作者肯定了所有这些元素的重要性,并建议它们的和谐融合将增强话语的乐趣和效用。论文中嵌入了三篇文章,它们代表了作者以这种方式构造修辞的尝试。在地缘宗教动荡时代重新考虑代理:来自四个信仰传统的妇女坦白说,有组织的宗教是如何帮助赋予虔诚者的。视觉科学表征中的论证和权威考虑了伦理对科学的吸引力的重要性,以及视觉表征对观众偏见的吸引力,而这种偏见又有利于眼睛所建构的知识。音乐修辞的可能性:电影的元话语方法提出了十三类音乐元话语,并假设音乐的认知方式对电影艺术的意义与视觉和言语方式同样重要。在整个论文中,个人和公共,学术和艺术叙事相交。*; *本论文是复合的(论文既包含纸质副本,也包含CD)。该CD需要以下系统应用程序:Windows MediaPlayer或RealPlayer。

著录项

  • 作者

    Richards, Anne Rypstat;

  • 作者单位
  • 年度 2003
  • 总页数
  • 原文格式 PDF
  • 正文语种 en
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